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Joseph Stephens: Composing Gemstones

Could anything be better preparation for a global pandemic that puts society on hold than the profession of film composing? There are many horror stories, perhaps the most famous of which being James Cameron’s Aliens in 1986, where several filming delays led to composer James Horner having to compose and record cues for the film overnight with the film’s theatrical release just weeks away. Headliner got chatting with composer Joseph Stephens, who has scored HBO’s The Righteous Gemstones and Mindy Kaling’s Never Have I Ever, to see if the relentless life of a film scorer might serve as emotional preparation for being placed in quarantine.

“I’ve definitely been in situations where I’ve had to work all night, or suddenly make last-minute changes in the wee hours,” Stephens says. “Especially when projects pile up on top of each other. I don’t actually mind those situations that much, I kind of enjoy the stress of it! I feel like I do well under that pressure, at least in my mind. Sometimes I triple up on jobs, and when the deadlines overlap, things can get a bit hairy.”

You might think Stephens would much prefer a smoother process, considering his website bio mentions his love of tending to his hot pepper garden at his home.

“That’s very relaxing,” he says. “If I’m in a meeting on the phone, I’ll often be out there pulling weeds and doing the jobs that need doing out there. It’s raining right now, otherwise, I’d probably be gardening right now!”

Stephens entered the world of film “through a band I was in (named Pyramid) that had connections to some film school buddies — we made a film together around 2005. The director wanted our band to do the music. That certainly wasn’t a paid job, but it got our feet into the door. The filmmakers then brought me along for a lot of other projects, which led to more contacts and more work. I’m just glad I stayed in touch with talented people like Danny McBride (Pineapple Express, This Is The End). I didn’t come from a classical background or anything like that, I just played in bands.”

Stephens’ music on one particular show has become very popular indeed, on HBO’s The Righteous Gemstones, which his friend Danny McBride is the creator and star of.

Stephens was not only asked to write the original score, but also to pen a country-western style theme song for the series.

“I work with these guys a lot, so I knew what I was in for in terms of the score side of it,” he says. “But at first, the song was just referenced as being in the backstory of the show. So we didn’t even know if we were going to hear the song. But as we were writing, it became a reality, and Danny tasked me with coming up with this thing. It was daunting at first, knowing that kids were going to sing it and that it needed to sound vintage and sixties!”

Stephens’ efforts clearly paid off, with a resulting campaign from fans of the show to get the song onto Spotify so they could listen to the song, Misbehavin’, in their spare time.

“Once that episode aired, there was definitely a swell online around it, it went semi-viral. Me, Danny (McBride) and other people around the show would get loads of emails about it. So we were super excited to get it out there and we did quickly get a digital release organised. That was very exciting for us, to see the song catch on in the way we hoped it would.”

Stephens also recently worked on Never Have I Ever, created by Mindy Kaling and Lang Fisher for Netflix. He’s not really putting a foot wrong, getting commissions from both HBO and arguably the biggest name in streaming. The show explores the complicated life of a first-generation Indian American teenage girl, inspired by Kaling's own childhood.

“The show was really breezy, one of the easiest ones I’ve done,” Stephens says. “They basically let me do whatever I wanted to do! It certainly isn’t racy or dark, like some of the projects I’ve worked on. It needed to have a lot of energy, so I made a bunch of fun, electronic music.”