Studio-owner, multi-disciplinary artist and film composer Karl Frid is releasing his original music for Pleasure, the startling new film in which a young Swedish girl moves to Los Angeles and comes up against the grim realities of the pornography industry. Frid talks about his traditional classical music experiences and suddenly wanting to learn Afro-Cuban music and keep his jazz spirit alive. His sense of adventure is heard brilliantly in the music for Pleasure, which somehow blends opera and hip-hop.
It’s fairly undeniable that the most rounded musicians often make the best film composers, able to adapt and compose for all kinds of characters, storylines and settings.
Frid is a pretty bulletproof example of this; growing up in Sweden, he attended London’s prestigious Royal College of Music set in the opulence of West London, overlooking The Royal Albert Hall. But, not quite gelling with his stringent classical trombone studies there, he abruptly moved to Havana, Cuba to learn Afro-Cuban music.
“I was planning on being at The Royal College of Music for four years,” Frid says from his Stockholm studio, Frid and Frid, which he owns with his brother and co-composer, Pär.
“I was there as a classical trombone player and I had the most fun year – it was one of the most fun years of my life. I met tons of beautiful people and really talented musicians. But, for me, it was a bit too conservative. I've always had a really broad taste in music and I've always been curious about different genres. I never want to limit myself to only doing one thing.”
And so ensued a quite abrupt U-turn from his rigid trombone studies in affluent West London:
“I started dreaming of some alternative and I was really set on this romantic idea of going to Brazil and studying bossa nova and samba stuff. Then some friends of mine had just been to Cuba for a year in Havana.
They were really thrilled about it. I didn't know anything about Cuban music, but I wanted that adventure of just letting go of everything that was familiar and trying something new. That was probably the most fun year of my life. I learned so much there as well. Not just about music, but about life in general.”
Aside from his film composing output, these Latin American years still yield fruit for Frid: he is a longtime member of the Swedish salsa group Calle Real, considered as one of the best Latin groups in Europe. And that’s before mentioning Platina Jazz, a jazz group performing original arrangements of Japanese anime music.
In terms of getting a break in the big wide world of film and television, Frid and his brother started working on educational films for Swedish television.
“Then we got this TV series that was on primetime Swedish television. I often get that question: ‘how did you get to do it? Who should you talk to?’ And it's always about getting that foot in the door. Every time you do it, you do the best you can, and try to have good relations with the creators.”