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Motion Picture Sound Editors Awards: Full 2022 Nominees

The Motion Picture Sound Editors (MPSE) has announced the nominees for the 69th Annual MPSE Golden Reel Awards, representing the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation, computer entertainment and student productions.

“It’s been a fantastic year for sound and we look forward to celebrating the incredible work sound editors have performed for movies, television, games, documentaries and other creative media last year,” said MPSE president Mark Lanza.

“We are excited this year to recognize Ron Howard with our Filmmaker Award and Chic Ciccolini as our Career Achievement recipient. Building on the success of our first-ever virtual ceremony last year, we are planning an even more spectacular night of fun, surprises and great achievements in sound.”

This year, the awards ceremony will be held as an international virtual event on March 13, 2022.


2022 MPSE FILMMAKER AWARD


Ron Howard


2022 MPSE CAREER ACHIEVEMENT AWARD


Anthony ‘Chic’ Ciccolini, III


69th ANNUAL MPSE GOLDEN REEL AWARD NOMINEES


Outstanding Achievement in Sound Editing – Animation Series or Short


Jurassic World – Camp Cretaceous: “Eye of the Storm” Netflix


Supervising Sound Editor: Rob McIntyre MPSE

Sound Designer: Evan Dockter

Sound Effects Editors: Marc Schmidt, D.J. Lynch Dialogue Editor: Anna Adams

Foley Editor: Aran Tanchum

Foley Artists: Ezra Walker, Vincent Guisetti


Love, Death + Robots: “Snow in the Desert” Netflix


Supervising Sound Editor: Brad North MPSE Sound Designer: Craig Henighan MPSE

Foley Editors: Jeff Gross, Dawn Lunsford Foley Artist: Alicia Stevens

Music Editor: Jeff Charbonneau

Star Trek: Lower Decks: “Strange Energies” Paramount+


Supervising Sound Editor: James Lucero

Sound Effects Editors: James Singleton, Mak Kellerman Dialogue Editor: Michael LaFerla

Foley Artist: Michael Britt


Star Wars: Visions: “The Duel”


Disney+

Supervising Sound Editors: David W. Collins, Matthew Wood Sound Designer: David W. Collins

Sound Editor: Luke Dunn Gielmuda

Foley Artist: Jana Vance


Star Wars: The Bad Batch: “Reunion” Disney+


Supervising Sound Editor: Matthew Wood Sound Designer: David W. Collins

Sound Editor: David W. Collins

Foley Editor: Frank Rinella Foley Artist: Kimberly Patrick


Star Wars: A Galaxy of Sounds: “Excitement”


Disney+

Supervising Sound Editor: David W. Collins

Sound Designers: Ben Burtt, David Acord, Ren Klyce, Tim Nielson, Chris Scarabosio, Tom Bellfort, Sam Shaw, Gary Rydstrom MPSE

Sound Editor: Matthew Wood

Photograph: Michele K. Short/HBO

Photograph: Michele K. Short/HBO

Outstanding Achievement in Sound Editing – Limited Series or Anthology


The Book of Boba Fett: “1.1”


Disney+

Supervising Sound Editors: Matthew Wood, Bonnie Wild

Sound Designer: David Acord

Sound Effects Editors: David Collins, Benjamin A. Burtt, Jon Borland

ADR / Dialogue Editors: Angela Ang, Ryan Cota

Foley Editor: Alyssa Nevarez

Foley Artists: Ronni Brown, Andrea Gard, Sean England, Margie O'Malley Music Editor: Stephanie McNally


Loki: “Journey Into Mystery”


Disney+

Supervising Sound Editors: David Acord, Matthew Wood Sound Effects Editors: Kyrsten Mate MPSE, Adam Kopald Supervising Dialogue Editor: Steve Slanec

ADR Editor: Brad Semenoff MPSE

Sound Designer: David Farmer MPSE

Foley Editor: Joel Raabe

Foley Artists: Shelley Roden MPSE, John Roesch MPSE Supervising Music Editor: Anele Onyekwere

Music Editors: Nashia Wachsman, Ed Hamilton


Mare of Easttown: “Illusions”


HBO Max

Supervising Sound Editor: Bradley North MPSE Dialogue Editor: Tiffany S. Griffith

Sound Effects Editor: Jordan Wilby MPSE Foley Editor: Antony Zeller MPSE

Foley Artist: Zane Bruce

Music Editor: Stephanie Lowry


The Underground Railroad: Chapter 9: “Indiana Winter” Amazon Prime


Supervising Sound Editor: Onnalee Blank MPSE

Sound Designers: Jay Jennings, Harry Cohen MPSE

Sound Effects Editor: Luke Gibleon

Dialogue Editors: Chris Kahwaty MPSE, Katy Wood ADR Editor: Bryan Parker MPSE

Foley Editors: Pietu Korhonen, Lars Halvorsen Foley Artist: Heikki Kossi MPSE

Music Editor: John Finklea


Wandavision: “The Series Finale”


Disney+

Supervising Sound Editors: Gwen Whittle MPSE, Kimberly Foscato

ADR Supervisor: Matthew Wood

Sound Designer: Steve Orlando

Sound Effects Editors: Scott Guitteau, Jon Borland, Samson Neslund, Richard Gould Supervising Music Editor: Anele Onyekwere

ADR Editors: James Spencer, Chris Gridley

Foley Editor: Luke Dunn Gielmuda

Music Editors: Fernand Bos MPSE, Tom Kramer

Foley Artists: Ronni Brown, Shelley Roden MPSE, John Roesch MPSE


The White Lotus: “Mysterious Monkeys”


HBO Max

Supervising Sound Editor: Kathryn Madsen MPSE Supervising Dialogue Editor: Paul Hammond Sound Effects Editor: Mark Allen MPSE

Foley Artist: Stefan Fraticelli Music Editor: Mikael Sandgren

Outstanding Achievement in Sound Editing – Non-Theatrical Animation


Arcane – League of Legends: “When These Walls Come Tumbling Down” Netflix


Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE Supervising Music Editor: Alexander Temple

Supervising ADR Editor: Shannon Beaumont

Foley Editor: Alexander Ephraim MPSE

Foley Artists: Dan O' Connell, John Cucci MPSE Music Editor: Alex Seaver


Lego Star Wars: “Terrifying Tales”


Disney+

Supervising Sound Editors: David W. Collins, Matthew Wood Sound Designer: David W. Collins

Sound Editors: Justin Doyle, Bonnie Wild

Foley Editor: Frank Rinella

Foley Artists: Kimberly Patrick, Andrea Gard


Maya and the Three: “Chapter 9: The Sun and the Moon” Netflix


Supervising Sound Editor: Scott Martin Gershin MPSE Sound Designers: Chris Richardson, Andrew Vernon MPSE Sound Designer: Scott Martin Gershin MPSE

Sound Effects Editors: David Barbee MPSE, Masanobu “Tomi” Tomita Foley Artist: Dan O’Connell

Music Editor: Andres Locsey


What if...Doctor Strange Lost His Heart Instead of His Hands?


Disney+

Supervising Sound Editor: Mac Smith

Sound Effects Editors: Bill Rudolph, Alyssa Nevarez

Dialogue Editor: Cheryl Nardi

Supervising Music Editor: Anele Onyekwere

Music Editor: Tom Kramer

Foley Artists: John Roesch MPSE, Shelley Roden MPSE


White Snake 2: “The Tribulation of the Green Snake” Netflix


Supervising Sound Editor: Gary Chen

Sound Designer: Gary Chen

Sound Effects Editors: Wang Shuangshuang, Gary Chen, Mango Mok, Ji Hongrui, Irene Sun, Qiu Yi ADR Editors: Listen Zhang, Liu Huizhe, Zhang Geng

Foley Editors: Liu Huizhe, Cui Lin

Foley Artist: Wang Ziwei, Miao Yin, Zhang Jindong, Xin Shengnan

Photograph: Mario Perez/HBO

Photograph: Mario Perez/HBO

Outstanding Achievement in Sound Editing – Non-Theatrical Documentary


1971: The Year That Music Changed Everything: “Episode 1”


Apple TV+

Supervising Sound Editors: Andy Shelley, Stephen Griffiths Sound Effects Editors: Tae Hak Kim, Justin Dolby

Dialogue Editor: Claire Ellis

Foley Editors: Adam Oakley, Paolo Pavesi Music Editors: Dan Johnson, Nas Parkash Foley Artists: Zoe Freed, Rebecca Heathcote


The Beatles Get Back: “Part 3”


Disney+

Supervising Sound Editors: Brent Burge, Martin Kwok

Sound Editors: Matt Stutter MPSE, Buster Flaws, Melanie Graham Dialogue Editor: Emile De La Rey

Music Editors: Steve Gallagher MPSE, Tane Upjohn-Beatson

Foley Editor: Michael Donaldson

Foley Artist: Simon Riley


Bob Ross: Happy Accidents, Betrayal & Greed


Netflix

Supervising Sound Editor: Trevor Gates

Dialogue Editors: Ryan Briley, Taylor Jackson

Sound Effects Editors: Paul B. Knox, Russell Topal MPSE, Mark Coffey Foley Editor: Alex Jongbloed

Foley Artist: Tara Blume Music Editor: Liam Rice


Exterminate All the Brutes


HBO / HBO Max

Sound Editors: Séverin Favriau, Emeline Aldeguer Dialogue Editor: Daniel Irribaren

Foley Artist: Vincent Maloumian


Formula 1: Drive to Survive: “Down to the Wire”


Netflix

Supervising Sound Editors: Steve Speed, Nick Fry Sound Effects Editor: Hugh Dwan

Sound Designer: James Evans Dialogue Editor: Hugh Dwan

Life in Colour with David Attenborough: “Seeing in Color”


Netflix

Supervising Sound Editor: Wayne Pashley MPSE

Sound Effects Editor: Paul Fisher

Foley Artists: Jonathan Cawte, Andy Devine, Richard Hinton Music Editor: James Dorman


McCartney 3, 2, 1


Hulu

Supervising Sound Editor: Jonathan Greber

Sound Editor: Leff Lefferts

Dialogue Editors: E. Larry Oatfield, Bjorn Ole Schroeder Music Editor: Kim Foscato


Welcome to Earth


Disney+

Supervising Sound Editor: Jay Price Sound Effects Editor: Jay Price Dialogue Editor: Tom Foster

Foley Editor: Stuart Bagshaw Music Editor: Ben Smithers

Photo: Macall Polay/Netflix 2021

Photo: Macall Polay/Netflix 2021

Outstanding Achievement in Sound Editing – Non-Theatrical Feature

Fear of Rain

Hulu

Supervising Sound Editor: David Barber MPSE Foley Editor: David Kitchens MPSE

Sound Effects Editor: Ben Zarai

Sound Designer: David Barbee, MPSE

Foley Artist: Gonzalo "Bino" Espinoza

ADR Editor: Michael Kreple

Fear Street: “Part Two - 1978”

Netflix

Supervising Sound Editor: Trevor Gates

Supervising Dialogue Editor: Jason Dotts

Sound Effects Editors: Matthew Thomas Hall, Russell Topal MPSE, Mark Coffey, Paul B. Knox Dialogue Editors: Kristen Hirlinger, Harrison Meyle

Foley Artist: Sandra Fox

Music Editor: Brett "Snacky" Pierce MPSE

The Ice Road 

Netflix

Supervising Sound Editor: Trip Brock MPSE Sound Designer: Charles Maynes MPSE Supervising ADR Editor: Jacob Ortiz MPSE Dialogue Editor: Jackie Johnson

Sound Effects Editors: Raymond Park MPSE, Demetri Evdoxiadis Foley Artists: Lorita de la Cerna, G.W. Pope, III MPSE

Music Editor: Nicholas Fitzgerald

Infinite

Paramount+

Supervising Sound Editors: Mandell Winter MPSE, David Esparza MPSE Sound Designer: Hamilton Sterling

Sound Effects Editor: Will Digby MPSE

Dialogue Editors: Micah Loken MPSE, Sang Kim

Foley Editor: Eryne Prine MPSE

Music Editor: Mark "Vordo" Wlodarkiewicz

Foley Artists: Dan O'Connell, John Cucci MPSE

Oslo

HBO Max

Supervising Sound Editor: Lewis Goldstein Supervising ADR Editor: Gina Alfano MPSE Sound Designer: Peter John Still

Sound Effects Editors: Alex Soto, Alfred DeGrand Dialogue Editor: Thomas Ryan

Foley Editor: Wen Tseng

Foley Artists: Leslie Bloome, Joanna Fang

Outstanding Achievement in Sound Editing – 1⁄2 Hour – Comedy or Drama

Hacks: “There Is No Line”

HBO Max

Supervising Sound Editor: Brett Hinton Sound Effects Editor: Marc Glassman MPSE Dialogue Editor: Ryne Gierke

Foley Editor: Samuel Munoz

Foley Artist: Noel Vought

Music Editor: Jason Tregoe Newman

The Kominsky Method: “The Round Toes, of the High Shoes” Netflix

Supervising Sound Editor: Lou Thomas

Sound Effects Editors: Mark Messick, TJ Jacques Foley Editor: Clay Weber MPSE

Foley Artist: Sanaa Kelley

Music Editor: Joe Deveau

Mythic Quest: “Everlight”

Apple TV+

Supervising Sound Editor: Matthew E. Taylor

Sound Designer: Pete Nichols

Sound Effects Editor: Matthew Wilson

Dialogue Editor: Sean Heissinger

Foley Editor: David Jobe

Foley Artists: Elizabeth Rainey, Jody Holwadel Thomas Music Editor: Joe Deveau

Only Murders in the Building: “The Boy From 6B”

Hulu

Supervising Sound Editor: Mathew Waters Dialogue Editor: Danika Wikke MPSE

Sound Effects Editor: Meredith Stacy Music Editor: Micha Liberman

Schmigadoon: “Suddenly”

Apple TV+

Supervising Sound Editor: Cormac Funge Sound Effects Editor: Peter Nichols Dialogue Editor: John Green

Music Editor: Jessica Harrison

We Are Lady Parts: “Sparta” Peacock

Supervising Sound Editor: Jay Price Sound Editor: Tom Foster Dialogue Editor: Dario Swade Foley Editor: Sam Walsh

What We Do in the Shadows: “The Escape”

FX

Supervising Sound Editor: Steffan Falesitch Sound Effects Editor: David Barbee MPSE Dialogue Editor: Chris Kahwaty MPSE

Foley Editors: John Guentner, Sam Lewis Foley Artist: Ellen Heuer

Music Editor: Steve Griffen

Outstanding Achievement in Sound Editing – Series 1 Hour – Dialogue / ADR

For All Mankind: “And Here’s to You”

Apple TV+

Supervising Sound Editor: Vince Balunas MPSE Dialogue Editor: Vince Balunas MPSE

ADR Editor: Vince Balunas MPSE

The Handmaid’s Tale: “Vows”

Hulu

Supervising Sound Editor: David McCallum MPSE Dialogue Editor: Krystin Hunter

The Morning Show: “My Least Favorite Year” 


Apple TV+

Supervising Sound Editor: Mark Relyea MPSE Supervising ADR Editor: Julie Altus

Dialogue Editor: Robert Guastini MPSE Supervising Dialogue Editor: Pernell Salinas

The Nevers: “Pilot”

HBO Max

Supervising Sound Editor: Tim Kimmel MPSE Supervising ADR Editor: Tim Hands

Supervising Dialogue Editor: John Matter MPSE

Squid Game: “VIPS”

Netflix

Supervising Sound Editors: Hye-Young Kang, Tae-Young Choi Supervising ADR Editor: Byung-In Kim

Supervising Dialogue Editor: Eun-Ji Ye

Star Trek Discovery: “Kobayashi Maru”

Paramount+

Supervising Sound Editor: Matthew E. Taylor

Supervising Dialogue Editors: Sean Heissinger, Cormac Funge ADR Editor: Cormac Funge

Succession: “Secession”

HBO Max

Supervising Sound Editor: Nicholas Renbeck MPSE Dialogue Editor: Michael Feuser

ADR Editor: Angela Organ

Ted Lasso: “Rainbow”

Apple TV+

Supervising Sound Editor: Brent Findley MPSE CAS Dialogue Editor: Bernard Weiser MPSE

Crowd Editor: Kip Smedley

Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley

Foundation: “The Emperor’s Peace”

Apple TV+

Sound Designer: Tyler Whitham MPSE

Sound Effects Editors: Paul Germann, Dave Rose Foley Artist: Steve Baine

The Handmaid’s Tale: “Chicago”

Hulu

Supervising Sound Editors: Jane Tattersall MPSE, David McCallum MPSE Sound Effects Editor: Brennan Mercer

Foley Editor: David Caporale, Davi Aquino

Foley Artist: Sandra Fox

Lost in Space: “Trust”

Netflix

Supervising Sound Editor: Branden Spencer MPSE

Sound Designer: Benjamin Cook MPSE

Sound Effects Editors: Shaughnessy Hare, Brendan Croxon, Mark Hailstone Foley Artist: Paul Pirola

Squid Game: “VIPS”

Netflix

Supervising Sound Editor: Hye-Young Kang Sound Designer: Ye-Jin Jo

Sound Effects Editor: Hye-Jin Yang

Foley Editor: Taek-Hyun Hong

Foley Artist: Chung-Gyu Lee

Star Trek Discovery: “Kobayashi Maru”

Paramount+

Supervising Sound Editors: Matthew E. Taylor, Michael Schapiro Sound Designers: Harry Cohen MPSE, Katie Halliday MPSE Sound Effects Editor: Andrew Twite

Foley Editor: Clay Weber MPSE

Foley Artists: Alyson Moore, Chris Moriana

Ted Lasso: “Beard’s Night Out”

Apple TV+

Supervising Sound Editors: Brent Findley MPSE CAS, Bernard Weiser MPSE Sound Effects Editors: Kip Smedley, Mark Cleary

Foley Editors: Jordan McClain, Arno Stephanian MPSE

Foley Artists: Sanaa Kelley, Matt Salib

The Witcher: “A Grain of Truth”

Netflix

Supervising Sound Editor: Matthew Collinge

Sound Designers: Rob Turner, Alyn Sclosa, Rob Prynne Foley Editors: Adam Oakley, Rob Weatherall

Foley Artists: Zoe Freed, Rebecca Heathcote

Wu Tang: An American Saga: “Protect Ya Neck”

Hulu

Supervising Sound Editor: Thomas E. de Gorter MPSE Sound Designer: Michael O'Conner

Foley Editors: Geordy Sincavage, Alex Jongbloed Foley Artists: Tara Blume, Monique Reymond

Outstanding Achievement in Sound Editing – Series 1 Hour - Music

Cobra Kai: “The Rise”

Netflix

Music Editor: Andres Locsey

See: Rock-a-Bye

Apple TV+

Music Editor: Dan Farkas

Squid Game: “Red Light, Green Light”

Netflix

Music Editor: Jae-il Jung

Star Trek Discovery: “Kobayashi Maru”

Paramount+

Supervising Music Editor: Moira Marquis Scoring Editor: Matea Prljevic

Ted Lasso: “Rainbow”

Apple TV+

Supervising Music Editor: Richard David Brown Music Editor: Sharyn Gersh MPSE

The Witcher: “A Grain of Truth”

Netflix

Music Editor: Arabella Winter MPSE

Wu Tang: An American Saga: “Protect Ya Neck”

Hulu

Music Editor: Sebastian Zuleta

Photograph: Graeme Hunter/HBO

Photograph: Graeme Hunter/HBO

Outstanding Achievement in Sound Editing – Feature Animation


Encanto


Walt Disney Animation Studios

Supervising Sound Editor: Shannon Mills

Supervising Dialogue Editor: Brad Semenoff MPSE

Sound Designer: Nia Hansen

Sound Effects Editors: Samson Neslund, Justin Doyle, Cameron Barker, Qianbaihui Yang MPSE Dialogue Editor: Richard Quinn

Foley Editor: Alyssa Nevarez

Foley Artists: John Roesch MPSE, Shelley Roden MPSE

Supervising Music Editor: Earl Ghaffari

Music Editors: Angie Rubin, Kendall Demarest MPSE


Luca


Pixar Animation Studios

Supervising Sound Editors: Chris Scarabosio, André Fenley Supervising Dialogue Editor: Rich Quinn

Supervising Foley Editor: Ronni Brown

Sound Effects Editors: Justin Doyle, Pascal Garneau Foley Editor: E. Larry Oatfield

Foley Artists: Jana Vance, Ronni Brown

Music Editor: Lodge Worster


The Mitchells vs. the Machines


Sony Pictures Animation

Supervising Sound Editor: Geoffrey G. Rubay

Supervising ADR Editor: James Morioka

Sound Designer: John Pospisil

Sound Effects Editors: Kip Smedley, Andy Sisul MPSE, Alec G. Rubay, Dan Kenyon, Greg Ten Bosch MPSE ADR Editor: Curt Schulkey

Foley Artist: Gregg Barbanell MPSE

Foley Artist: Rick Owens MPSE

Music Editors: Dominick Certo MPSE, Barbara McDermott


Raya and the Last Dragon


Walt Disney Animation Studios

Supervising Sound Editor: Shannon Mills

Supervising Dialogue Editor: Brad Semenoff MPSE

Sound Designer: Nia Hansen

Sound Effects Editors: Samson Neslund, David C. Hughes, Cameron Barker Foley Editors: Chris Frazier, Steve Orlando

Foley Artists: John Roesch MPSE, Shelley Roden MPSE

Supervising Music Editor: Jim Weidman

Music Editor: David Olson


Sing 2


Illumination / Universal Pictures

Supervising Sound Editor: Dennis Leonard Supervising Dialogue Editor: Jonathan Greber Supervising ADR Editor: Daniel Laurie

Sound Designer: Josh Gold

Sound Effects Editors: Lucas Miller, Benjamin A. Burtt Foley Editors: Shaun Farley MPSE, Jonathon Stevens Music Editors: Michael Connell, Charles Inouye


Outstanding Achievement in Sound Editing – Feature Documentary


Billie Eilish: The World’s a Little Blurry


Apple TV+

Supervising Sound Editor: Richard Yawn MPSE Music Editor: Michael Brake MPSE

Dialogue Editor: Rob Getty MPSE

Sound Effects Editor: Steven Avila MPSE

Foley Editor: Shawn Kennelly

Foley Artists: Melissa Kennelly, Vince Nicastro


Flee


NEON/Participant

Supervising Sound Editor: Edward Björner Dialogue Editor: Jens Johansson

Sound Designer: Fredrik Jonsäter

Foley Artists: Rune Van Deurs, Bengt Öberg


The Rescue


Disney+

Supervising Sound Editor: Deborah Wallach Sound Effects Editor: Roland Vajs

Foley Artist: Nuno Bentro

Music Editor: Ben Smithers


Summer of Soul (or, when the Revolution Could Not Be Televised)


Searchlight Pictures

Supervising Sound Editor: Joshua L. Pearson

Supervising Music Editor: Jimmy Douglass


VAL


Amazon Prime

Supervising Sound Editor: John Bolen Dialogue Editor: John Bolen

Sound Effects Editor: John Bolen Foley Editor: John Bolen


The Velvet Underground


Apple TV+

Supervising Sound Editor: Leslie Shatz Music Editor: Jahn Sood

Photo: 2021 Disney 

Photo: 2021 Disney 

Outstanding Achievement in Sound Editing – Foreign Language Feature


Cliff Walkers


Viki


Supervising Sound Editors: Yang Jiang MPSE, Zhao Nan MPSE

ADR Editor: Li Xinghui

Foley Artist: Han Junsheng

Sound Editors: Ann Scibelli, Xiao'ou Olivia Zhang MPSE, Iain Pattison


The Hand of God


Netflix

Supervising Sound Editor: Silvia Moraes


A Hero


Amazon Prime

Supervising Sound Editor: Mohammadreza Delpak Dialogue Editor: Mohammadreza Delpak

Sound Effects Editor: Mohammadreza Delpak


Titane


NEON

Sound Editor: Séverin Favriau Foley Artist: Céline Bernard


A Writer’s Oddyssey


Netflix

Supervising Sound Editor: Xiao Sha Liu

Supervising ADR Editor: Xiao Sha Liu

Sound Designer: Gang Wang

Sound Effects Editors: Shuang Shuang Wang, Hong Rui Ji, Gang Wang, Ruo Qi Mo, Tobias Poppe, Zi Jian Jiang

Dialogue Editor: Zi Jin

Foley Editor: Pei Ya Zhang

Foley Artists: Zi Wei Wang, Yin Miao

Music Editor: Fei Yu


Outstanding Achievement in Sound Editing – Feature Dialogue / ADR


Dune


Warner Bros.

Dialogue Editor: David Bach

Last Night in Soho Universal Pictures

Supervising Sound Editors: Dan Morgan, Julian Slater MPSE Supervising ADR Editor: Dan Morgan


The Matrix Resurrections


Warner Bros.

Supervising Sound Editors: Stephanie Flack, Dane A Davis MPSE

Dialogue Editors: Marek Forreiter, Benjamin Hörbe, Dominik Schleier, Immo Trümpelmann


Nightmare Alley


Searchlight Pictures

Supervising Sound Editor: Jill Purdy MPSE Supervising Dialogue Editor: Jill Purdy MPSE Supervising ADR Editor: Jill Purdy MPSE Dialogue Editor: Nelson Ferreira MPSE


No Time to Die


MGM/United Artists

Supervising Dialogue & ADR Editors: Becki Ponting, Michael Maroussas Dialogue Editors: Rachael Tate MPSE, Adele Fletcher

Supervising Sound Editor: Oliver Tarney MPSE


The Power of the Dog


Netflix

Supervising Dialogue & ADR Editor: Leah Katz


A Quiet Place Part II


Paramount Pictures

Supervising Sound Editor: Ethan Van der Ryn

Supervising Dialogue & ADR Editors: Vanessa Lapato, Nancy Nugent Dialogue Editor: Matt Cavanaugh MPSE


The Tragedy of Macbeth


Apple TV+

Supervising Sound Editor: Skip Lievsay Supervising Dialogue Editor: Michael Feuser

Outstanding Achievement in Sound Editing – Feature Effects / Foley


Belfast


Focus Features

Sound Designer: James Mather

Sound Editor: Tomas Blazukas

Foley Editor: Arthur Graley

Foley Artists: Sue Harding, Oliver Ferris


Dune


Warner Bros.

Supervising Sound Editors: Theo Green, Mark Mangini MPSE

Sound Designer: Dave Whitehead

Sound Effects Editors: Phil Barrie, Lee Gilmore MPSE, Greg Ten Bosch MPSE, Robert Kellough MPSE, Piero Mura

Foley Editor: Christopher Bonis

Foley Artists: Andy Malcolm, Goro Koyama, Sandra Fox


The Matrix Resurrections


Warner Bros.

Supervising Sound Editors: Dane A. Davis MPSE, Stephanie Flack

Sound Effects Editors: Bryan O. Watkins, Jeremy Peirson, Markus Stemler, Michael Schapiro, Eric Lindemann, Albert Gasser MPSE, Laurent Kossayan MPSE, Caron Weidner

Foley Editors: Frank Kruse, Kuen Il Song

Foley Artists: Daniel Weiss, Carsten Richter


Nightmare Alley


Searchlight Pictures

Supervising Sound Editor: Nathan Robitaille MPSE Sound Effects Editor: Dashen Naidoo

Foley Editor: Chelsea Body

Foley Artists: Goro Koyama, Andy Malcolm


No Time to Die


MGM/United Artists

Supervising Sound Editors: Oliver Tarney MPSE, James Harrison Sound Designers: Bryan Bowen, Eilam Hoffman, Michael Fentum Sound Effects Editor: Dawn Gough

Foley Editor: Hugo Adams

Foley Artists: Sue Harding, Andrea King


A Quiet Place Part II


Paramount

Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl MPSE Sound Designers: Malte Bieler, Brandon Jones

Sound Effects Editors: Chris Diebold, Matt Cavanaugh MPSE Foley Editor: Jonathan Klein

Foley Artists: Steve Baine, Peter Persaud


Spider-Man: No Way Home


Sony Pictures

Supervising Sound Editors: Steven Ticknor MPSE, Vanessa Lapato

Sound Designers: Anthony Lamberti, Ken McGill, Chris Diebold

Sound Effects Editors: Sam Fan, Jamie Hardt MPSE, Justin M. Davey, Takako Ishikawa, Chris Jacobson Foley Supervisor: Jessica Parks

Foley Editor: Samuel Nacach

Foley Artists: Gary Hecker MPSE, Adam DeCoster

Outstanding Achievement in Sound Editing – Feature Music


Dune


Warner Bros.

Supervising Music Editors: Clint Bennett, Ryan Rubin Music Editor: Peter Myles


Ghostbusters: Afterlife


Sony Pictures

Supervising Music Editor: Curt Sobel


In the Heights


Warner Bros.

Music Editors: Jim Bruening, Jennifer Dunnington, Ben Holiday


The Matrix Resurrections


Warner Bros.

Supervising Music Editor: Gabriel Isaac Mounsey Music Editors: Hans Hafner, Jonathan Levi Shanes


Nightmare Alley


Searchlight Pictures

Music Editors: Clint Bennett, Kevin Banks MPSE Scoring Editor: Cecile Tournesac


A Quiet Place Part II


Paramount

Music Editors: Jim Schultz, Nancy Allen MPSE, Del Spiva MPSE, Ramiro Belgardt


tick tick...BOOM!


Netflix

Music Editors: Nancy Allen MPSE, John Davis, Bri Holland


West Side Story


20th Century Studios

Music Editors: Joe E. Rand, Ramiro Belgardt Scoring Editor: David Channing

Photo: Paramount

Photo: Paramount

Outstanding Achievement in Sound Editing – Game Audio


The Ascent


Neon Giant

Audio Director : Samuel Justice

Audio Leads: Stefan Rutherford, Joe Thom

Supervising Sound Editor: Csaba Wagner

Sound Designers: Lee Banyard, Michael Benzie, Jordan Lee Colins, Luke Hatton, Joe Hudson, Jason W. Jennings, Michael Leaning, Barney Oram, Jack Raeburn, Stephano Sanchinelli, Chris Sweetman, John Tennant

Sound Editors: Graham Donnelly, Eilam Hoffman


Call of Duty: Vanguard


Sledgehammer Games

Audio Director: David Swenson MPSE

Audio Leads: Matthew Grimm, Ryan McSweeney, Michael Caisley, Eric Wedemeyer

Supervising Sound Editors: Charles Deenen MPSE, Nick Interlandi, Nick Martin

Supervising Dialogue Editor: Emilio Lopez-Centellas, Adam Boyd MPSE, Hilary Long

Supervising Music Editors: Ted Kocher, Anthony Caruso

Sound Designers: Kegan Chau, Fernando Labarthe, Sheridan Willard, Tyler Cannan, Michael Tornabene, Peter Wayne, Liam Underwood, Don Veca, Jeremiah Sypult, Andy Bayless, Darren Blondin, Nicholas D'Amato, Jacob Denny, Jacob Harley, Vadim Nuniyants, Timothy Schlie, Aaron Brown, Ian Mika, Tory Bader, Corina Bello, Darrell Tung, Jonathan Gosselin, Nick Tremblay, Mathieu Denis, Mikael Frithiof, Jon Persson, Braden Parkes, Erick Ocampo, Mike Maksim, Matt Hall, Chris Diebold, Jeff Sawyer, Josh Moore, Igor Comes, Tim Gedemer MPSE, Klaus Shipman, Jim Schaefer, Rashaad Wiggins

Sound Editors: Daniel Petras, Jordan Ruhala, Matthew Schaff MPSE

Dialogue Editors: Robert Jackson, Maggie Wolf, Alvaro Vela, Serge J. Isaac, Stiv Schneider, Juliana Henao Mesa, David Price

Music Editors: Scott Shoemaker, Tao-Ping Chen, Adam Kallibjian, Rob Goodson, Andrew Buresh

Foley Artist: Foley Walkers


Halo Infinite


Xbox Game Studios

Audio Director: Sotaro Tojima

Audio Leads: Kyle Fraser, Jomo Kangethe, Robbie Elias, Chase Thompson

Supervising Sound Editors: Samuel Justice, Csaba Wagner

Supervising Dialogue Editors: Josh Bandy, Emma Emrich

Supervising Music Editor: Joel Yarger

Sound Designers: Noa Lothian, Daniel Raimo, Pax Helgesen, Nick D’Amato, Gary Spinrad MPSE, Michael Leaning, Stefan Rutherford, Mitchell Osias, Bryan O. Watkins, Andrew Lackey, Laura Taylor, David Farmer MPSE, Adam Boyd MPSE, Graham Donnelly, John Loranger MPSE, Barney Oram, Frank Petreikis, Austin Shannon, Chris Sweetman, Matthew Wesdock, Robert Blake, Paul Hackner MPSE

Sound Effects Editors: Zeke Fenelon, Stephen Brown, Adam Croft, Joshua Du Chene, Thornton Prime VI, Kochun Hu, Ben Kersten, Spencer Riedel

Foley Artists: John Roesch MPSE, Alyson Dee Moore, Christopher Moriana, Bogdan Zavarzin

Dialogue Editors: Monet Gardiner, Garrett P. Montgomery MPSE, Daniel P. Francis MPSE, Peret Von Sturmer

Music Editors: Colin Andrew Grant, Cameron Konner


Ratchet & Clank: A Rift Apart


Insomniac Games

Audio Leads: Daniel Birczynski, Dwight Okahara, Jamie McMenamy

Audio Director : Paul Mudra

Supervising Sound Editors: Jeremie Voillot, Emile Mika

Supervising Dialogue Editors: Patrick Michalak

Supervising Music Editor: Scott Hanau

Sound Designers: David Yingling, Blake Johnson, Jeff Dombkowski, Brooke Yap, Daniele Carli MPSE, Tyler Cornett, Tyler Hoffman, Christian Kjeldsen, Jeff Darby, Zack Bogucki, Aaron Sanchez, Kei Matsuo MPSE, David Goll, Adam Lidbetter, Alex Previty, Erik Buensuceso, Casey Slocum, Rob Castro, Gregory McCoach, Andres Herrera, Maria Rascon, Nathaniel Bonisteel, Noburo Masuda, Keiichi Kitahara

Dialogue Editors: Keith Asack, Michelangelo Muscariello, Evan Hodick, Matthew Strasser, Jaime Marcelo, Ryan Schaad, Tim Schumann

Music Editors: Andrew Buresh, Anthony Caruso, Ernest Johnson, James Zolyak, Justin Lieberman, Nicholas Mastroianni, Rob Goodson, Scott Bergstrom, Tao-Ping Chen, Ted Kocher, Tyler Crowder


Star Wars: Tales from the Galaxy’s Edge – Last Call


Oculus Quest

Supervising Sound Editors: Michael Brinkman, Paul Stoughton, Kevin Bolen Sound Designers: Bill Rudolph, Jonathan Do, Andy Martin

Dialogue Editors: Ryan Cota, Chris Gridley

Music Editor: Clark Rhee

Photo: Netflix

Photo: Netflix

Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)


Build Me Up


The National Film and Television School Supervising Sound Editor: Wong Hui Grace


Cocon


Netherlands Film Academy

Supervising Sound Editor: Freija Hogenboom Foley Artists: Camiel Povel, Annika Epker


Do Not Feed the Pigeons


The National Film and Television School Supervising Sound Editor: Joe De-Vine Sound Designer: Joe De-Vine


The Many Faces of Ava


The National Film and Television School Supervising Sound Editor: Dominika Latusek

Night of the Living Dread


The National Film and Television School Supervising Sound Editor: Miles Sullivan


Other Half


The National Film and Television School Supervising Sound Editor: Zoltán Kadnár


Pressure


The National Film and Television School Supervising Sound Editor: Antek Rutczynski Sound Designer: Antek Rutczynski


Échale Ganas, The Villa’s Tacos


Chapman University


Supervising Sound Editor: Mingxin Qiguan Sound Designer: Mingxin Qiguan

Photo: Marvel Studios 2021

Photo: Marvel Studios 2021