Outstanding Achievement in Sound Editing – Non-Theatrical Feature
Fear of Rain
Hulu
Supervising Sound Editor: David Barber MPSE Foley Editor: David Kitchens MPSE
Sound Effects Editor: Ben Zarai
Sound Designer: David Barbee, MPSE
Foley Artist: Gonzalo "Bino" Espinoza
ADR Editor: Michael Kreple
Fear Street: “Part Two - 1978”
Netflix
Supervising Sound Editor: Trevor Gates
Supervising Dialogue Editor: Jason Dotts
Sound Effects Editors: Matthew Thomas Hall, Russell Topal MPSE, Mark Coffey, Paul B. Knox Dialogue Editors: Kristen Hirlinger, Harrison Meyle
Foley Artist: Sandra Fox
Music Editor: Brett "Snacky" Pierce MPSE
The Ice Road
Netflix
Supervising Sound Editor: Trip Brock MPSE Sound Designer: Charles Maynes MPSE Supervising ADR Editor: Jacob Ortiz MPSE Dialogue Editor: Jackie Johnson
Sound Effects Editors: Raymond Park MPSE, Demetri Evdoxiadis Foley Artists: Lorita de la Cerna, G.W. Pope, III MPSE
Music Editor: Nicholas Fitzgerald
Infinite
Paramount+
Supervising Sound Editors: Mandell Winter MPSE, David Esparza MPSE Sound Designer: Hamilton Sterling
Sound Effects Editor: Will Digby MPSE
Dialogue Editors: Micah Loken MPSE, Sang Kim
Foley Editor: Eryne Prine MPSE
Music Editor: Mark "Vordo" Wlodarkiewicz
Foley Artists: Dan O'Connell, John Cucci MPSE
Oslo
HBO Max
Supervising Sound Editor: Lewis Goldstein Supervising ADR Editor: Gina Alfano MPSE Sound Designer: Peter John Still
Sound Effects Editors: Alex Soto, Alfred DeGrand Dialogue Editor: Thomas Ryan
Foley Editor: Wen Tseng
Foley Artists: Leslie Bloome, Joanna Fang
Outstanding Achievement in Sound Editing – 1⁄2 Hour – Comedy or Drama
Hacks: “There Is No Line”
HBO Max
Supervising Sound Editor: Brett Hinton Sound Effects Editor: Marc Glassman MPSE Dialogue Editor: Ryne Gierke
Foley Editor: Samuel Munoz
Foley Artist: Noel Vought
Music Editor: Jason Tregoe Newman
The Kominsky Method: “The Round Toes, of the High Shoes” Netflix
Supervising Sound Editor: Lou Thomas
Sound Effects Editors: Mark Messick, TJ Jacques Foley Editor: Clay Weber MPSE
Foley Artist: Sanaa Kelley
Music Editor: Joe Deveau
Mythic Quest: “Everlight”
Apple TV+
Supervising Sound Editor: Matthew E. Taylor
Sound Designer: Pete Nichols
Sound Effects Editor: Matthew Wilson
Dialogue Editor: Sean Heissinger
Foley Editor: David Jobe
Foley Artists: Elizabeth Rainey, Jody Holwadel Thomas Music Editor: Joe Deveau
Only Murders in the Building: “The Boy From 6B”
Hulu
Supervising Sound Editor: Mathew Waters Dialogue Editor: Danika Wikke MPSE
Sound Effects Editor: Meredith Stacy Music Editor: Micha Liberman
Schmigadoon: “Suddenly”
Apple TV+
Supervising Sound Editor: Cormac Funge Sound Effects Editor: Peter Nichols Dialogue Editor: John Green
Music Editor: Jessica Harrison
We Are Lady Parts: “Sparta” Peacock
Supervising Sound Editor: Jay Price Sound Editor: Tom Foster Dialogue Editor: Dario Swade Foley Editor: Sam Walsh
What We Do in the Shadows: “The Escape”
FX
Supervising Sound Editor: Steffan Falesitch Sound Effects Editor: David Barbee MPSE Dialogue Editor: Chris Kahwaty MPSE
Foley Editors: John Guentner, Sam Lewis Foley Artist: Ellen Heuer
Music Editor: Steve Griffen
Outstanding Achievement in Sound Editing – Series 1 Hour – Dialogue / ADR
For All Mankind: “And Here’s to You”
Apple TV+
Supervising Sound Editor: Vince Balunas MPSE Dialogue Editor: Vince Balunas MPSE
ADR Editor: Vince Balunas MPSE
The Handmaid’s Tale: “Vows”
Hulu
Supervising Sound Editor: David McCallum MPSE Dialogue Editor: Krystin Hunter
The Morning Show: “My Least Favorite Year”
Apple TV+
Supervising Sound Editor: Mark Relyea MPSE Supervising ADR Editor: Julie Altus
Dialogue Editor: Robert Guastini MPSE Supervising Dialogue Editor: Pernell Salinas
The Nevers: “Pilot”
HBO Max
Supervising Sound Editor: Tim Kimmel MPSE Supervising ADR Editor: Tim Hands
Supervising Dialogue Editor: John Matter MPSE
Squid Game: “VIPS”
Netflix
Supervising Sound Editors: Hye-Young Kang, Tae-Young Choi Supervising ADR Editor: Byung-In Kim
Supervising Dialogue Editor: Eun-Ji Ye
Star Trek Discovery: “Kobayashi Maru”
Paramount+
Supervising Sound Editor: Matthew E. Taylor
Supervising Dialogue Editors: Sean Heissinger, Cormac Funge ADR Editor: Cormac Funge
Succession: “Secession”
HBO Max
Supervising Sound Editor: Nicholas Renbeck MPSE Dialogue Editor: Michael Feuser
ADR Editor: Angela Organ
Ted Lasso: “Rainbow”
Apple TV+
Supervising Sound Editor: Brent Findley MPSE CAS Dialogue Editor: Bernard Weiser MPSE
Crowd Editor: Kip Smedley
Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley
Foundation: “The Emperor’s Peace”
Apple TV+
Sound Designer: Tyler Whitham MPSE
Sound Effects Editors: Paul Germann, Dave Rose Foley Artist: Steve Baine
The Handmaid’s Tale: “Chicago”
Hulu
Supervising Sound Editors: Jane Tattersall MPSE, David McCallum MPSE Sound Effects Editor: Brennan Mercer
Foley Editor: David Caporale, Davi Aquino
Foley Artist: Sandra Fox
Lost in Space: “Trust”
Netflix
Supervising Sound Editor: Branden Spencer MPSE
Sound Designer: Benjamin Cook MPSE
Sound Effects Editors: Shaughnessy Hare, Brendan Croxon, Mark Hailstone Foley Artist: Paul Pirola
Squid Game: “VIPS”
Netflix
Supervising Sound Editor: Hye-Young Kang Sound Designer: Ye-Jin Jo
Sound Effects Editor: Hye-Jin Yang
Foley Editor: Taek-Hyun Hong
Foley Artist: Chung-Gyu Lee
Star Trek Discovery: “Kobayashi Maru”
Paramount+
Supervising Sound Editors: Matthew E. Taylor, Michael Schapiro Sound Designers: Harry Cohen MPSE, Katie Halliday MPSE Sound Effects Editor: Andrew Twite
Foley Editor: Clay Weber MPSE
Foley Artists: Alyson Moore, Chris Moriana
Ted Lasso: “Beard’s Night Out”
Apple TV+
Supervising Sound Editors: Brent Findley MPSE CAS, Bernard Weiser MPSE Sound Effects Editors: Kip Smedley, Mark Cleary
Foley Editors: Jordan McClain, Arno Stephanian MPSE
Foley Artists: Sanaa Kelley, Matt Salib
The Witcher: “A Grain of Truth”
Netflix
Supervising Sound Editor: Matthew Collinge
Sound Designers: Rob Turner, Alyn Sclosa, Rob Prynne Foley Editors: Adam Oakley, Rob Weatherall
Foley Artists: Zoe Freed, Rebecca Heathcote
Wu Tang: An American Saga: “Protect Ya Neck”
Hulu
Supervising Sound Editor: Thomas E. de Gorter MPSE Sound Designer: Michael O'Conner
Foley Editors: Geordy Sincavage, Alex Jongbloed Foley Artists: Tara Blume, Monique Reymond
Outstanding Achievement in Sound Editing – Series 1 Hour - Music
Cobra Kai: “The Rise”
Netflix
Music Editor: Andres Locsey
See: Rock-a-Bye
Apple TV+
Music Editor: Dan Farkas
Squid Game: “Red Light, Green Light”
Netflix
Music Editor: Jae-il Jung
Star Trek Discovery: “Kobayashi Maru”
Paramount+
Supervising Music Editor: Moira Marquis Scoring Editor: Matea Prljevic
Ted Lasso: “Rainbow”
Apple TV+
Supervising Music Editor: Richard David Brown Music Editor: Sharyn Gersh MPSE
The Witcher: “A Grain of Truth”
Netflix
Music Editor: Arabella Winter MPSE
Wu Tang: An American Saga: “Protect Ya Neck”
Hulu
Music Editor: Sebastian Zuleta