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‘Our expectations have changed’: How Martin Audio transformed Grace Church

Based in Des Moines, Iowa, Conference Technologies Inc (CTI) recently completed a sound system integration at the nearby Grace Church, in which the previous PA was replaced with the constant curvature technology of Martin Audio’s TORUS array.

The installation is the latest in an ongoing series of AVL upgrades at the church undertaken by CTI over the past 10 years and is designed to meet the high demands of a Southern Baptist church, whose worship ministry is based around bands, choirs and orchestras.

Led and overseen by worship pastor, Michael Hoskinson, the old PA, which had been in place since the church opened, was said to be providing inconsistent coverage across the 1,200-seat fan-shaped auditorium and was ready to be retired. It was also ‘visually obtrusiv’e.

“What we were looking for instead was a line array that would provide even coverage everywhere,” said the pastor. “And so we were looking for a system that would enable the subs to be flown, and at the same time provide better coverage.”

CTI’s VP systems integration, Tim Wright, spearheaded the integration.

“The frequency response from front to back and side to side was not good, and it had never been tuned to the room. As technology has advanced, and our needs have become more critical with regard to frequency response, so our expectations have changed.”

Wright devised a wish list and discussed his requirements with Martin Audio North America.

“We had a couple of runs with their design engineers and felt the coverage maps could still be improved. Then expectations leaned towards TORUS, and I knew that solution was spot on. I had heard the system at a trade show and knew exactly what it was capable of,” he explained.

“Sonically I have always been impressed with the vocal quality of Martin Audio and TORUS is a level beyond that. I tested it with a CD and the clarity was fantastic; for the price point Martin Audio hits, this is second to none.”

As soon as it was turned on it sounded great. Michael Hoskinson, pastor

“From the other integrator options I was given we could have spent double the money for the same result,” Hoskinson added.

Wright elaborated that he had presented four different options, meeting different price points.

“When I was asked which one I would recommend it was a no brainer,” he said.

The constant curvature array is designed for applications that typically require an optimum throw between 15-30 metres, and where a full-blown line array or point source solution may not be appropriate. The T1230 offers a vertical pattern of 30° while T1215 offers 15° but both then have a flexible horizontal pattern that can be manually adjusted between 90°, 60° or 75° (asymmetrically).”

While Wright has long been a fan of Martin Audio, he admits that CTI has only recently turned to Martin Audio.

“Although I have installed the brand previously this was the first big chance to do something of this calibre and size,” he said.

The Grace Church installation was not without its challenges, including locating the three hang points, with a confined workspace above a hard-deck ceiling. But an L/C/R system was duly implemented, with a combination of two TORUS T1215 with a T1230 underneath, backed by a pair of SXCF118 18in cardioid subs, on each hang, driven by four iKON iK42 four 2500W Dante-supporting process-controlled amplifiers. A further pair of Martin Audio’s high-powered XD12 12in point source speakers were deployed as corner fills and seven of the ultra-compact DD6 6.5in speakers placed around the perimeter of the stage for close front fills. “It was having fill speakers around the lip that the old system really lacked,” said Wright.

In addition to providing optimum coverage, the new fit-out also meets the aesthetic requirement, since the ceiling is now painted black, and the speakers blend in seamlessly. Hoskinson is also pleased to have the subs up in the air, noting that while the trim height of the hang is now lower than previously it does not intrude on the two-screen projection set up.

“The whole thing looks really sleek now,” he noted.

When Martin Audio’s Will Harris came to commission it, “as soon as it was physically turned on it sounded great,” added Wright. “It sounded exactly like it looked on the engineering document. Any DSP that was needed was built into the amps. [iKON] is a complete process-controlled amp for a good reason because it is designed to work together [with TORUS].”

Hoskinson shares his enthusiasm, especially with congregants offering overwhelmingly positive feedback on the new system. And with the fast turn-around of activity within the church he knows that in the coming months they will be throwing a lot at TORUS.

“These speakers can expect to be getting pumped harder than they would normally expect,” he concluded.